In Boys And Girls Between The Wars I wanted to use Sebastian Schloessingk’s poem – both its phonetics and content – as the source of all the musical ideas. The text generates a form for the composition, and the music occupies a vast territory between onomatopeia and metaphor, bringing to life contrasting musical objects held together by subtle harmonic relations. This piece serves also as the model for a later orchestral piece, ...the sun is out, the sun is out.

Finally, Boys And Girls Between The Wars is also a profoundly felt homage to the wonderful Chansons madécasses by Maurice Ravel, one of the highlights of vocal music of all times, written for the same instrumental ensemble.

Written in 1994 and revised in 2001, Boys And Girls Between The Wars was premiered by Sarah Busfield, voice, and the Thallein Ensemble conducted by Liz Johnson on 27 June 2001, Birmingham Conservatoire, Recital Hall.

* * *

Clouds move in parallel rows
granting the sun stern terms,
true?
So when the clouds pull off in all
directions, like torture horses,
a camera’s shutter,
birds from shot, salt water
from a rock, this is childish.
A big child in a garden of bouncy
foliage. Look.
Original sky, fat bombers slog
across it, the child is a boy. Great flowers
dash up to the bombers’ lumber and pry
decorating round their legs, the child is
a girl, the sun is out, the sun is out.

© Sebastian Schloessingk