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	<title>lamberto coccioli. &#187; orchestra</title>
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	<link>http://www.lambertococcioli.com</link>
	<description>on music and beauty</description>
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		<title>Three Variations</title>
		<link>http://www.lambertococcioli.com/three-variations/</link>
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		<pubDate>Mon, 06 Mar 2006 22:47:00 +0000</pubDate>
		<dc:creator>lamberto coccioli</dc:creator>
				<category><![CDATA[Portfolio]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[transcription]]></category>

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		<description><![CDATA[orchestra &#124; 1994]]></description>
			<content:encoded><![CDATA[	<p>These three Variations represent a short essay in harmonic projection and time compression. The orchestral space becomes the playground where a melodic line is expanded and explored from a harmonic perspective, while the pace of change of different musical objects generated by the fragments of the melody increases dramatically.</p>
	<p>The original model for the harmonic structure of the work is no. 2 from <a href="http://www.lambertococcioli.com/per-iona/">Per Iona</a>, an earlier solo piano piece.</p>
	<p>1. Mosso<br />
2. Calmo<br />
3. Più mosso<br />
<p style="text-align: center;">(only Variation no. 1)</p><br />
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		<title>&#8230;the sun is out, the sun is out</title>
		<link>http://www.lambertococcioli.com/the-sun-is-out-the-sun-is-out/</link>
		<comments>http://www.lambertococcioli.com/the-sun-is-out-the-sun-is-out/#comments</comments>
		<pubDate>Sat, 04 Feb 2006 21:55:00 +0000</pubDate>
		<dc:creator>lamberto coccioli</dc:creator>
				<category><![CDATA[Portfolio]]></category>
		<category><![CDATA[Luciano Berio]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[Sebastian Schloessingk]]></category>
		<category><![CDATA[transcription]]></category>

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		<description><![CDATA[orchestra &#124; 1994]]></description>
			<content:encoded><![CDATA[	<p>The title of this work for large orchestra is the last line of <a href="http://www.lambertococcioli.com/boys-and-girls-between-the-wars">Boys And Girls Between The Wars</a>, a poem by Sebastian Schloessingk I have also set to music. The original work for voice and four instruments is the starting point for <em>...the sun is out, the sun is out </em>. The original instrumental gestures are projected and expanded in a vast orchestral space, and acquire a completely new dimension. This process of transcription, of reading again and translating the same material in different forms, obviously inspired by the lesson of Berio, has always fascinated me.</p>

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