Magma, or The See-Through Wilderness [1996-1998] 70′, commissioned by CIDIM, Rossini Theatre in Lugo and Toscanini Foundation in Parma.
2 actors – Uomo, Donna
4 singers – Soprano, Mezzo, Baritone, Bass
orchestra – 126.96.36.199 188.8.131.52 2 perc [marimba, vibraphone, wood blocks, wood chimes, logdrum, 2 big maracas, 4 congas, timbales, snare drum, triangle, tuned gong Bb3, 5 cymbals, 2 Chinese cymbals] MIDI keyboard, strings 184.108.40.206
live electronics 2 operators, Tempo Reale, Florence
text by Sebastian Schloessingk
Tre Variazioni  12′, for orchestra.
…the sun is out, the sun is out  8′, for large orchestra.
Alúna  for viola, ensemble and live electronics; written for Rivka Golani; orchestra – 220.127.116.11 18.104.22.168 1 perc [marimba] piano, strings 22.214.171.124 viola solo, live electronics 2 operators.
Studio  8′, piano.
Kamu-purrui  9′, alto flute; written for Carlo Ipata.
Per Iona  4′, piano.
Boys And Girls Between The Wars [1993, rev. 2001] 8′, mezzo-soprano, flute [doubling alto flute] piano and cello; on a poem by Sebastian Schloessingk.
Il divo Claudio  6′, narrator, flute, clarinet, guitar and cello; on a poem by Zbigniew Herbert, commissioned by Nicola Campogrande.
Three Sephardi Melodies  8′, baritone, flute, clarinet, guitar and cello, commissioned by Alberto Iona.
Cinque Amori  10′, narrator, flute [doubling alto flute and bass flute in C], clarinet [doubling bass clarinet and Eb clarinet), guitar and cello; on texts by Thomas Moore, Russian folklore, Simone de Beauvoir, Aristophanes, Maynard d’Aubigné; commissioned by Paola Roman and the Toujours Ensemble.
Il racconto delle nuvole – Sette scene musicali  15′, narrator, flute [doubling alto flute], clarinet [doubling bass clarinet], guitar and cello; text by Marco Vacchetti, commissioned by Paola Roman and the Toujours Ensemble.
Antidotes: Red-earth  7′ for natural trumpet and live electronics; commissioned by Gabriele Cassone.
Touch  11′, piano and live electronics.
river teach me  10′,mezzo-soprano and string quartet; on a poem by Zbigniew Herbert, written for Monica Bacelli, shortlisted by the SPNM in 2003.
Flectar  8′, trombone and live electronics, written for David Purser.
A poem para Gloria  6′, a cappella chamber choir [SATB]; on a poem by e.e.cummings.
Novecento  25′.
SOUNDTRACKS FOR AWARD-WINNING DOCUMENTARY FILMS
Colombia Nuevo Mundo by Mauricio Garcia Matamoros, (Colombia-Italy 1992)
Life after life by Enrica Colusso (Metafilm, Italy 1995)
No Risk No Champagne by Enrica Colusso (Fandango, Italy 2003)
MUSIC FOR THE RADIO
Novecento, electro-acoustic soundtrack for a series of sixty programmes on the
20th century by RAI RadioTre, Italian National Radio (first broadcast in 1999).
Intercos with AGON at Bologna’s COSMOPROF (2000), a six-room interactive environment with audio and video events triggered by visitors through gesture-controlled sensors.