This is the original libretto of the opera by Sebastian Schloessingk. An Italian translation of the libretto, by Susanna Basso, Sebastian Schloessingk and myself, was used for the performance in Lugo di Ravenna.
INTRODUCTION
Cottongrass
CHILD | GIRL | WOMAN | OLD WOMAN |
---|---|---|---|
Once upon a… | |||
princess | princess | ||
Look she’s | |||
playing, I’m | |||
playing | |||
again | |||
in the meadows | |||
near home | |||
the lovely meadows | |||
in my little white gown | |||
her crown and her | |||
gold heart on a chain | |||
When out of | |||
the forest, look! | |||
an elk! | an elk! | an elk! | |
an elk! | |||
no fear | |||
It’s coming! Look | |||
How big! | |||
and its muzzle | |||
I’m stroking! Mum! I’m… | |||
stroking | |||
the big strong elk | |||
Can I go with you? | Can I go with you? | ||
but all the dangers | |||
but I want to see | |||
the world | the world | ||
the dangers | |||
and you | |||
will protect me | |||
the elk thought and said | the elk thought and said | ||
OK | OK | OK | OK |
yes! | |||
cool! | |||
Mum! The elk | |||
says so | |||
[PAUSE] | [PAUSE] | [PAUSE] | [PAUSE] |
the elk | |||
and me | |||
go on a journey | go on a journey | ||
into the forest | |||
the hills | |||
and softlands | |||
forest | hills | softlands | forest |
going through all | |||
funny places | |||
a tufted marsh | |||
Careful princess | |||
it’s full of | |||
funny people | |||
Careful dear | |||
What are they, elk? | |||
Elves. They’re elves | |||
elves! | elves! | ||
pretend | |||
they’re not there | |||
Who are you, who…? [quiet] | |||
Careful now | |||
what’s your name? | what’s your name? [getting louder] | ||
Come on, what’s…? | Come on, what’s…? | ||
no! | |||
Careful princess! | |||
your name? | Who are…? | ||
Hey, help, my crown! | |||
Got it [delayed echo] | Got it [delayed echo] | ||
Help! | |||
And keep it | And keep it | ||
First Time Around | First Time Around | First Time Around | |
The Princess Lost Her Crown | The Princess Lost Her Crown | The Princess Lost Her Crown | |
[PAUSE] | [PAUSE] | [PAUSE] | [PAUSE] |
Then in the marsh | |||
an island where | |||
My Elkie lives | |||
please | |||
let me sleep | |||
the princess put | |||
near to you | |||
her gown on a tree | |||
and slept | and slept | ||
naked | |||
because the elk | |||
is keeping | |||
watch | |||
and the next day | |||
the princess said | the princess said | ||
I’ll go bare | |||
naked | naked | naked | |
all day and | |||
hold the gown | |||
in her hand | |||
Careful dear | |||
I want to see | |||
more and more | |||
of the world | |||
and up | |||
she goes | |||
and the elk runs | |||
like the wind | like the wind | like the wind | |
yes! | |||
cool! | |||
into the wood | |||
your head down! | |||
so fast | |||
watch the branches! | watch the branches! | ||
Ow! | |||
the branches | |||
whip the princess | whip the princess | ||
slow down, elk! | |||
down slows the elk | |||
[audible breath] | |||
moss and lichen | |||
on the stones | |||
like a rug | |||
all the colours | all the colours | all the colours | all the colours |
[audible breath] | |||
but it is | |||
spooky | |||
what’s that | |||
moving | |||
there and | |||
there, it’s | |||
haunted, deary | |||
behind the trees | |||
its eyes | |||
ice green | |||
A haunted wood | |||
and mouth | |||
blood red | |||
witch [flat quiet] | |||
of the wood | |||
careful! | careful! | ||
Hallo! | |||
what’s your name? | |||
[silence] | |||
little girl! | |||
Cottongrass | |||
It’s Cottongrass | |||
And what a lovely | |||
careful (whisper) | careful (whisper) | ||
dress. Do let me | |||
no | |||
the material | |||
Don’t! (whisper) | Don’t! (whisper) | ||
Go on | |||
Don’t! | Don’t! | ||
Just let me | |||
Don’t! | Don’t! | ||
touch, look, just | |||
Go on then | |||
Hmmm | |||
Now give it | |||
not bad | |||
back, I said | |||
ha! ha! [violent, harsh] | |||
too late | |||
ha! ha! [diminuendo] | |||
And the second time around | And the second time around | And the second time around | |
She lost her gown | She lost her gown | She lost her gown | |
[PAUSE] | [PAUSE] | [PAUSE] | [PAUSE] |
She didn’t like that | |||
Not fair | |||
Even the elk | |||
was angry about it | |||
But they pressed on | |||
Not fair | |||
till night | |||
ever deeper | |||
into the forest | |||
and when the sun | |||
found them out | |||
the girl is asleep | |||
trusting and naked | |||
again | |||
and the elk | |||
unsleeping | |||
keeping an eye | |||
wakes me up | |||
wake up! | |||
where we going? | |||
It is the time | |||
the pool | |||
What pool? | |||
No human | |||
has ever | |||
seen it | |||
What pool? | |||
Deep | |||
in the forest | |||
the leafy pool | the leafy pool | ||
we’ll soon be there | |||
it’s so dark | |||
what is? | |||
the water | |||
careful | |||
all the princess | |||
is wearing now | |||
her golden heart | |||
on a chain | |||
I gave to her | |||
my little chain | |||
careful dear | |||
Look if I look | |||
down into the pool | |||
don’t | |||
you can see | |||
my little heart | |||
getting closer | |||
to the dark | |||
shiny | |||
pool | |||
careful! | |||
Oops! | |||
I knew it | |||
I gave it | |||
my little heart! | |||
sidling down | |||
to the bottom | |||
my little heart! | |||
of course | of course | of course | |
I want it | |||
it’s gone | it’s gone | ||
where is it? | |||
forget it | |||
it’s there! | |||
forget it | forget it | ||
somewhere, Elk! | |||
what is it? | |||
Find it! | |||
Can’t | |||
Elk! Elk! | |||
What is it? | |||
Don’t go | |||
Then come | Then come | Then come | |
But elk! | |||
Then come [quieter] | |||
But elk! | |||
What is it? | |||
But elk! | |||
[silence] | |||
But elk…[quiet] |
PARTING
Girl Woman 1
soprano, mezzo-soprano
body body body body
body body body
body body
add!
body
head
body
head
body goes to the head
to the head
head head
add! add!
heart
oh heart
body body
to the head
heart
and! and!
regret
heart regret
body regret
and! and!
add! add!
sex
sex
head sex
head
sex
heart
regret
head sex
her sex
Girl Woman 2
soprano, basso
body body body body
body
add!
hope
body body
body
body
hope hope
hope
hope
weight
hope
hope
weight sex
sex weight
her sex
head sex
sex sex sex
her sex
weight hope
sex sex sex
her sex
head
sex
heart
regret
heart!
sex weight sex weight
heart!
weight sex weight sex
heart
Couple Talk
Woman, Man
mezzo-soprano, baritone
Let’s play that game…
Can I come in?
It suits you, it really…
Let’s play that game…
I prefer you
Amazing meal
Leave me alone
Ooh cold feet
Course I do
Let’s talk, right?
Big or little?
Just give me some reasons
You’re so good to me
Satisfied?
About when you were a child…
You go
So? So?
If you ever fucking…
Remember that time…
She’s pretty, isn’t she?
Don’t be like, don’t…
Is that supposed to be a joke?
Come on, we’re late
You’re mad, you’re fucking…
Put your hand
Where you ringing from?
OK you can look
Do you never ever stop to think…
Because you are an exception
Is it for me?
Relax, take it easy…
Your father would turn…
So what did you make of them?
Because I’m crying
You’re so impolite
But I like to touch
If you’ll let me finish…
Darling, don’t worry, OK?
He’s only my friend
Nothing, nuh-thing
You talk so much crap
Sleep now, sleep
Your turn, go on
And shut the door
Feeling better?
Here we go, over and over
The keys, where the pissing…?
It’s your lover
And don’t wake me up
Give me time, OK?
I don’t believe it
Can we turn over?
Yeah yeah
So where to this year?
Shut the fuck…
I like it when you…
Who says?
It’s cosy
Listen, you have your friends and…
Look at that view
I could fucking sue..
Let’s stay in bed
You do what you want
Don’t answer it
No need to shout
‘Cos I’m fond, I’m really…
Keep doing that
For you or for me?
[pause]
Men.
Yes, I do care
Stop looking at yourself, will you?
And your first boyfriend?
I’m reading. Reading.
Look at me will you
So. Did you like the film?
Where’ve you been?
Who was that?
[pause]
Peace I want peace
You’re just a bastard.
Tell them the story
Words words words
Don’t give me that
Just a goodnight kiss
I like your body
You’re looking tired
Cunt.
Don’t change the subject
I’ve always known
Go fuck somebody else
Why are we stopping?
What about your mother?
Because I say so
Look, it’s still dirty
Are you being sarcastic?
The old wonderbra
You’re so stupid
How much did it cost?
Don’t ever use that word in my hearing…
At least I tried
Not like that
It’s your bare tummy, drives me…
How could you
Words words words
Well, look after yourself
Don’t be pathetic
Your hands. Is what I noticed first
Is this a wind-up?
Typical fucking woman
Brilliant
You’re getting fatter
Didn’t you once said you loved me?
O.K.! O.K.!
I was worried about you
You fucking try
Let’s, yeah, come on, let’s…
The things we…
Go. Go. Go. Go!
And then?
Those legs of yours
Get out of my life
Answer the question
Just like your fucking family
You look so young
Just piss off, leave…
We can’t afford it
It’s my body
You never talk like…
You’re lying again
Promise?
And then you rang
Don’t touch me
Shush, I know, I know
The night we were talking…
Men just need to
Let me breathe
That’s great, that’s perfect
Inside or out?
You choose
No really you were the best-looking…
Don’t pressurize me OK?
A bit higher… a bit lower…
You’re all arseholes
Girl Woman 3
soprano, basso
heart heart
heart heart
sex
sex
regret
body regret
body
sex regret
body
body regret
sex
body
head
body body body
head
body body body
body
hope
body body
regret
body body
regret
body body
hope
body body
body body
and! and!
trees
sex and!
trees
heart weight
trees sex
trees heart
trees
trees
EDGE
Ironic Chorus
singers
Woman, Man
So, the woman has started.
Fat hope.
What’s she after?
She is ill-advised.
But she is not happy.
Strange to say.
And will she get happy like this?
Who can tell?
Who can say?
But we say , fat hope.
But she is not happy.
And who can blame her?
We can, we blame her.
Who are you?
We men.
Which men?
The new men.
Who?
Who try.
We’ve read about you.
And about her?
She’s out there and who knows?
Search me. Search me. Search me. Search me.
Monologue
Woman
I’m speaking to no-one
It was so hard to go that I couldn’t.
It was goodbye to all that built…
Inviting, protecting and unreal.
I didn’t fit, I did not fit.
What I came up with was mostly nothing.
The way it went, I was the enemy.
To them and to me and…
An enemy learning to see, I suppose.
In the night, or asleep.
I could see but I couldn’t move.
You’d say it had the shape of trees.
When I went, which I did.
If it wasn’t such crap.
I’m told it’s crap.
What I was after.
And a long time till their voices…
Gave me the space.
Space, and difficulty.
Trees for women, is different.
But not to say, that’s not to say…
COMING BACK
Third Voice
Woman
I don’t know, I’m so far behind it
You’re very quiet. I like that
But it’s not easy to have been
You won’t see many, of the things, you just won’t
Don’t look at me like that, like all alone. We both are
Anyway you wouldn’t appreciate … where
You’re so far away, your eyes are all big and hurt. No, stay there, I’m thinking
I’m thinking. Later, later. I won’t be like this forever
Come here
Song Of The Pool
soprano
Beyond the woods
Whichever way you come
With a harder looking face
There is a pool
Surrounded by woods.
Divided by ripples
If any.
Scarcely broken by
the ripple, or lit.
Loosened ties,
wooden tears
stain my face and spear the water
slum it and clear it.
Wall Of Voices
singers
Woman, Man
Went of her own free will.
Trees shed leaves because of wind.
Didn’t desert him.
Because of the wind otherwise hitting
and knocking the whole body down.
Now I doubt if he exists.
Alone in the forest and going
all animal or one sad human?
Never want to see her again
unless she comes and knocks and says
and not even then.
Think you’ll be snapped out of it
soon enough by B-roads crossing
the wood, saved and saddened? Think again.
It’s not something done with other women.
The B-roads and stretches of sodium lights
have slunk away forever.
I never had the attention span
to read enough into the difference.
A month in nature becomes grotesque.
After a month do you still say ‘I’?
Until I was suddenly casually ready
to sort for myself the moon size problems.
If he calls me here, will I pick it up?
Or pity the repetitive sound
of a small creature no worse than the rest.
It’s not the shadow of the heart you fool.
Group nature? Group nature?
There is less reason to be afraid
even in the night than in the suburbs.
And it’s an outrage when from way off
a face with the right hair turns and refuses.
The wilderness so matter-of-fact.
I am not for him and not against him.
The automatic spurts of animal fright.
If they ever ganged up, but they don’t.
Sunlight is an omission by clouds.
If my footsteps make no noise, what then?
Trees and nerves and lungs and needs…
© Sebastian Schloessingk 1998