Together with Jamie Bullock we have started this ambitious project in 2004. Collaborating with Jonathan Harvey, we are modernising live electronics in his works that make use of obsolete technologies, to ensure their long-term preservation and allow for future performances. The modernisation usually involves moving from a hardware-dependent electronics set-up to a software based one, using as much as possible standard, open source tools.
The aims of this project are very close to those of the Integra project. Indeed, we are porting to the Integra environment two of Harvey’s works – Madonna of Winter and Spring and Wheel of Emptiness as part of the repertoire migration activities of the project. We intend to carry out the porting of the electronics of other works by Jonathan outside the Integra project, as part of the Conservatoire’s research activities. Although the modernisation is not advancing as fast as we would like to – due to time constraints and the need to harmonise this project with other research efforts at the Conservatoire – we have been able to achieve some very interesting results.